This song is more of a quieter, laid back piece that is reminiscent of hope in so many ways. I walked up to the lion statue and stared at it. The vocals aren't by any means good, but they're at least tolerable, and while aside from them, there's no melody to speak of (Ok there IS one, but it's nothing worth speaking about since the voice overshadows it), this song is basically a cool drum section with hard-to-listen-to vocals. It feels like a lot of the Ep 5 tracks are kinda formed from this one, but this one has some kind of charm to it. This track is basically Goldenslaughterer 2.0, but it's just a hell of a lot better despite being founded in the same basic song. I'm really not sure what to think about it. It's a very good track, too, and one that I don'tsee mentioned by very many people as a great track. The witches of Umineko: When They Cry are enigmatic, powerful beings who observe and have control over several aspects of the game board. "When the Seagulls Cry") is a Japanese dōjin soft visual novel series produced by 07th Expansion.The first game in the series, Legend of the Golden Witch, was first released at Comiket 72 for Windows on August 17, 2007; the game sold out in thirty minutes. October 4th and 5th, 1986. I mean, it's a solid melody, but it's so repetitive that it's just so damn boring by the time you get halfway through as a result. Ranking: 6/10. This track is "alright" I guess. This is another one of those songs that I lump with Sukashiyuri because you do hear it a hell of a lot in the first part of Ep 1. Hope I think I prefer Fortitude just a tad, but Bring The Fate is a good, solid piece that does pretty much everything well, but nothing exceptionally well. But that part is bothersome to listen to. To put it in the words of a good friend of mine: "There was this one time where I got into a fight with a girl when I was 6 and she screamed realy loud when I pulled her hair and I would rather listen to her scream for 5 minutes rather than listen to this song". It's a weird track, too. Also, am I the only one that hears MirageCoordinator in the first minute or so...? It's not really THAT great of a melody, but it's passable at the very least, and the song doesn't really ride it that hard., This is a cool, if somewhat inferior, Final Answer remix. It's got some interesting parts to it, but it's not anything truely special, Rog Limitation Ah, this is a great track. Love Examination Both. Happy Maria Rebirth And while I wouldn't MIND seeing it used again because it's awesome, I also feel like its impact as a piece of music would be hurt if it was :/, Solitary Deep Sea Fish HANE is a relatively simple track, but scores points for being upbeat and fast, and just overall being energetic. lixAxil Bread of Life Flight, As far as straight-up interesting goes, this is probably the best song of the set, which really says a lot about it. However, its base melody is one of the single greatest things I've ever heard. Not by much, though, mostly because it tends to drag as it gets closer to the end. I really love this song. It's not the catchiest piece, but the main melody definitely sticks with you. But for your ears. In pretty much every way imaginable, this song is the prelude to Hope, and pulls off the mix of the Hope melody (You know the one) and the background ominous-ness pretty well, and its first use (Which might be its only use? Overall it's a decent track, but in the face of Monochrome Clock, nothing about it stands out, and just in general, it really only has energy going for it. It feels kinda boring by the end to me, even though it is still a good song. A very enjoyable, easy to listen to piece. More Fear It's BASICALLY the same piece looped a couple times, but it's long enough (And good enough!) Wait you mean this isn't actually Black Lilliana? Just feels like there's something missing here. I mean, I can enjoy it and it's definitely a solid track, but it seems kinda empty to me. Maybe it's the length? singing. They don't make it a particularly noteworthy song, just a more listenable one. I mean my brain WANTS to like it but also it recognizes that it's a pretty damn boring track. Ride On At any rate, this is like Mortal Stampede in terms of style, but that's where the similarities end really. MirageCoordinator I can rave about the drum section, but there's really no particular part about it that stands out. You can definitely hear Stupefaction in this, which now isn't a bad thing because unlike Stupefaction being godawful boring and reptitive, this song really isn't. Man what a ****ing catchy track. Due to technical difficulties this song has been replaced with Tsubasa(PinoMix). Consecration of France to the Sacred Heart of Jesus. Well we're finally hitting the part where pretty much everything is good. It's still an excellent song, and the rhythm section stands out as great, but honestly I don't think the style is very well-suited towards the song itself. But this. It's an incredibly touching track, and while it's not Discolor (or even Dead Angle) levels of despair, it's still a very down track. At the moment, REVOC and his Servant were inspecting a scene of carnage, the last place they were absolutely sure Assassin of White had been. But that's really all it has going for it. And hey guess what I prefer this to DotG too. On one hand, it's a nice piece that makes for a fine battle track and is enjoyable to listen to, especially when you need something to get the blood pumping. WorldEndDominator, Well actually we get one more of the quieter, lower-energy tracks before we really move into the interesting/high-energy endgame stuff. But my favorite thing about this song is the progression. There's nothing overly interesting or exciting about it even as a relaxing, quieter piece. This is the one song that everybody who's touched the VN, regardless of how far in they got (Unless they stopped at the prologue, those bastards), knows. ), Suspicion Oh, it's another melancholy track. I'm not quite sure what to think of this one. I don't like it, but I can see why people would. Excellent track here. It's nothing outstanding, but it's a listenable track that is 'alright', Sakutaro's Adventure It's not the most memorable, or best track, but Hour of Darkness sticks out for being a great piece of mood music. Through three seasons of the anime, none have received names, though When They Cry Wiki has affectionately nicknamed a recurrent lass "Waitress Glasses-chan." Just boring ignoring that. This might be my favorite song in the set. This is like... Mortal Stampede for cool hipsters (lmao implying they exist) or something. Dead Angle is somewhere within my top 10 Umineko songs. Scar Sound It's the first of the "big" ZTS tracks, and while it's nowhere near the best of them (I put it in the bottom two), it's still pretty damn good in its own right. Umineko's first episode has been completely translated. This is a significant difference since at that point in the arc, as in Watanagashi-hen, Keiichi does not know Mion actually has a sister and believes she is Mion in disguise. This feels like it should be longer to me with the way it just cuts off, ALIVE Anyways, this sounds like something that could easily be replaced with ominous latin/greek/muslim/whatever chanting and nothing of value would be lost (In fact, there would be gain! It's a lot more quieter and definitley more of a background piece, which lends well to the reptitive nature of it, but then, it also doesn't stand out in the slightest. 599 Million Ruins I really enjoy it, too. It retains the charm and greatness of the original, but it lacks the 9-second section that I praised as the best part several times over <_< Either way, this is still a great track even without that part, and I feel like the style this is done in really suits the song, unlike The Sin and Mortal Stampede, LiberatedLiberater It doesn't drag, and it doesn't feel forced at places. The middle section is at least different, but that only serves to keep me from unintentionally falling asleep. Oh man do the vocals ever complete this piece. yawn. Bring The Fate And being a huge Rush fan, that's highly disappointing for me <_< Either way, I love Mortal Stampede. This is basically a catchy-as-hell track that could probably, if the vocal version were dubbed/the lyrics were rewritten, pass for a chart-topping single on modern radio <_<. Hmm. Cage Here, though, we've got something pretty interesting. This is another one of those songs that rides its melody way too ha-Ha! But when you have one of the BEST MELODIES IN THE FREAKING SOUNDTRACK, you don't really need much more than that to be a good song. And that's compounded by the crazy lyrics. The Girl's Witch Hunt Namely a drum and a bit of some other percussion (Xylophone?) Geeze what a nice bass part this song has. Yeah, this is basically Mortal Stampede v2 done in a bit more of an electronic style. I don't take it over any of the other big ZTS songs except maybe Goldenslaughterer, but that doesn't mean I dislike it at all. Dread of the Grave (Warning: You will probably disagree with this writeup/rating) This is the first truely Vocal-driven track that I've heard, isn't it? It IS, however, a very creepy rhythm IMO, and definitely a worthy piece, though boring on its own. So remember my Organ Short #600 Million in C Minor writeup where I said there was one song that stuck with me more than that? Organ Short #600 Million in C Minor (6.5), 127. Birth of a New Witch (Short) It's one of those tracks that just gets me going every time I hear it. The instrumentation is nice, and has a hint of beauty to it, but the main reason I don't' care for this is the singer. Like I didn't even use Audiosurf with this song because I honestly feel like it would be blasphemous against the music to do so. But yeah, one of the most beautiful pieces I know, and honestly just a great track to sit down and listen to no matter what you're doing or what the context is. WorldEndDominator is, to put it bluntly, one of the best songs I've ever heard, and is a completely flawless piece of music. Man this song has such a cool intro melody. The drums are absolutely phenomonal, even for a ZTS piece. This is another reasonably catchy and likable song. Links have conveniently been provided for both songs. The song itself is alright, I guess. And this one is another somewhat repetitive track. It doesn't really feel as long or as boring as Love Examination does though. I also once fell asleep while listening to it but it was about midnight when that happened <.<, Praise We've cut the crap, and we're left with the best. Like I noted on Fake Red Shoes, at some points it does feel more like noise than Dread of the Grave (Especially the first couple seconds), and second, there's this high-pitched noise that's kinda in the background that gets kinda annoying if I focus on it for whatever reason. It really accentuates the song well. Enjoyable song, Life's End And while it's not bad, it's not really an upper-tier song either. Unfortunately, relative to the rest of ZTS's major works, this one doesn't really stand out as great. And this is the prototypical battle track <_<. [Written by MAL Rewrite] Edit. I did review the right one thanks to the power of the MUSICBOX though), This is basically WorldEnd with an added melody overlaying it <_< There really isn't anything I can reasonably say about it that I didn't say about WorldEnd, but the added melody is pretty nice. Just parts of it) is that it's a lot longer than it really needs to be. Every angle has been exhausted to death. Fishy Aroma On the other hand though, the entire thing stands out as a piece. [Soundtrack: Dead Angle - Umineko No Naku Koro Ni] It's deathly silent in the dormitory wing, and dim as night with the power-saving lights on the ceiling barely casting enough light to read the nameplates by the doors. It's a short piece, too, and the melody is good enough to totally carry the song through here, which is good because the song lacks any sort of drums or rhythm, which kinda makes me sad, but eh a piece like this doesn't really need them anyways. While a different. Ironically, even though the Vocals do add to the song here, they also make it feel incomplete, especially relative to the full version. This song is pretty unique IMO. Ranking: 6.5/10. Fun Fact: When I ported Umineko tracks over to make a Tsukihime/Kagetsu Tohya soundtrack, I ended up putting Mortal Stampede in place of whatever the most common SoL-esque track in Kagetsu Tohya is. It's got its lead-in to the main part which is pretty nice, but the main part of the main melody is what really clinches this one as good for me. Even so, the melody here that this song is so proud of is a great one. Keiichi is the son of a famous artist, Maebara Ichirō, and his wife, Maebara Aiko, who recently moved to Hinamizawa after an array of unfortunate and awful events in his hometown. On a related note, this song gives me a definite "out at sea"/PIRATES feel to it. It's just not fun to listen to. Unfortunately, being as long as it is, it starts to drag. This is the first of several songs that I kinda lump together that get a ton of playtime early on in episodes (Especially Ep 1), and not much other than that. It's like everything that's good about the high energy tracks, but just kinda... mellow, y'know? Where Mortal Stampede The bass part is reasonably complex and interesting to listen to, which is a good thing for an otherwise kinda boring song, but since in this song, it's more of a background part, there's only so much it can do. I think this is supposed to be a very sad track, but the way it happens is almost more peaceful than sad IMO. Literally the worst song I've ever heard. String Quartet #1 in G Major - I. Allegro The amazing part about this though, is that there are a couple different melodies you could call the "main" one if you wanted, I feel. The first 3/4 of it or so is only slightly less painful than Goddess-Gardena to listen to. But on some weird percussion (Xylophone?) It's definitely that tune we're all familiar with, but it's also accompanied by a heavier, almost ominous sound in the background. Even if you can't hear parts of Goldenslaughterer itself, you can definitely feel the style in there. Ange Ushiromiya, bernkastel, Umineko no Naku Koro ni are the most prominent tags for this work posted on June 20th, 2010. Well, it's not Rose tier at least for long and boring, because the melody is nice to listen to for a little while at least, but the main question I have is "why is this song 8 minutes long?" Then, she played dead and let us walk by! But then, catchy and high-energy is all it has going for it. I kinda like this song. Death (From Stupefaction) This is an amazing track. For pretty much the entire time, it feels like this piece is trying (But thankfully failing) to rape my ears. Just overall a reasonably bad song and something of a mess. All of the servers are young women who must wear rather revealing uniforms. ACI-L Still a very listenable track though, and one that deserves more discussion., Y'know, there are songs I could fall asleep listening to because they're boring, and there are songs I could fall asleep listening to because they're so goddamn relaxing. Here's another one of those quintessential battle tracks. It's definitely more mood/background music, but it's hauntingly strange to the point of "Did something happen and I missed it?" Ok not really but it's about equally as exciting. Oh hey, this song. This is another one of those songs that I don't care for in the slightest but I can understand why somebody would. It could probably get away with being about two minutes shorter. Ageha I've noticed that I often talk about a song's melody and how it's great/terrible, but F Style is entirely melody driven. This has to be the most painful piece of music I've ever heard anywhere. It starts out with very nice instrumentation that keeps up throughout the whole song, and shortly after, the vocals kick in. The percussion/bass parts really make this song, and without them, it would just get lost in the lower part of the upper tiers of music. Its shortness can be seen as a point against it, but I feel like it actually serves it really well here in not prolonging it any more than it needs to be. It also has a franchise in Kakiuchi, the city where Kimiyoshi Natsumi lives. In light of that, it's a pretty damn good melody that complements the meat of the song very well, and turns Haruka from a decent song into a good one. I don't really like this track, but I guess I can see why somebody would. I would also like to point out that good god the drum section here is great. Listening to this track is just a ride, really. It's a very fasat-paced track, and actually kinda something I'd expect to hear in a Zelda game or something <_<. The Bass part is incredibly awesome in this, and is capable of carrying the song on its own, but wait, there's more! This song starts out with some ominous chanting, then goes into an ominous melody and really just works from there. Not QUITE as good as that 9-second stretch of Final Answer, but it's up there, and really clinches this one for me. Regardless of everything else, this song has earned the unshakable title of "Beatrice's Theme" in my head, and was played several times. This on the other hand is a pretty 'quality' track. It's stuck with me since I first heard it in the VN, and for really no apparent reason other than it having a really damn good use. Its whole purpose is to set a very tense, fearful mood. Starts off good, builds up well, and hits its stride really well around the halfway point. Organ Short #600 Million in C Minor The melody that was written for just this piece, the Executioner rhythm section, the whole thing is just absolutely mindblowing to hear, even when you've listend to it 10 times already. This is another one of those 99% percussion tracks. Furthermore, the particular section that shows up a couple times at the song, but most notably 3:00-3:10 is absolutely mindblowing. I didn't even notice that it looped over except for how much time had passed. And this song has good drum work IMO. It's a fast-paced song that lets it all out on the table and really benefits from it. And I am just not a fan of it at all. Tomorrow This is a pretty decent song, at least. It's not really good per se, but it's refreshing to listen to because it's just different. Either way, Activepain is pretty much the defining piece of this part of the musicbox - High-energy, fun tracks that gets to the point and makes you enjoy listening to it. Bore-ral yesssssssssssss episode 7. wait **** this track is like 8 minutes long and kinda boring. Spiral I can't bring myself to like it. Life The drum section is good too! I can sum this song up in three words: Really, Really, Repetitive. HANE Psy-Chorus Ange Ushiromiya(右代宮 縁寿,Ushiromiya Enje), also known by the names ANGE(エンジ) and ANGE-Beatrice(エンジェ・ベアトリーチェ,Enje Beatorīche), is the daughter of Rudolf Ushiromiya and Kyrie Ushiromiya, and the younger sister of Battler Ushiromiya. It serves a definite purpose (And a modified purpose for me), but really there isn't THAT much too it past that. Also ironically enough, "Twice as good if it were twice as long" <_<, DreamEndDischarger It's really mediocre at best I'd say. It doesn't really stand out in any way compared to, say, Final Answer, Resurrectedreplayer, Discolor, or even Patchwork Chimera. I dunno. Even DotG has a calmer section to it. I have hailed the entire Nameless Song set for its beauty, and each one has been more beautiful than the last, and no exception here. I like that in music (Though that's not to say I don't appreciate a good slower piece too!). And honestly that isn't too bad. Toybox 7 Weights It's pretty good, but the vocals do absolutely nothing for me here., This is another 'meh' track that is literally right in the exact same vein as wingless for me. But on the other hand it's not like Grey Empty Smile bad or anything. Excellent piece. Excellent rhythm, and while there isn't much of a melody it's pretty good too. This is an interesting little tune. And its memorable, too. Not many of them are awesome, but they're all for the most part decent and catchy. The goal was to find which video game song was most loved by the board. It is just that great, 23. But this one? Sakura WorldEnd, Man, like the other version of this song, this is a real thing of beauty. Totem Blume Oh god I love this song a lot. like the very definition of "Mediocre Umineko song". Hm. As the title may or may not indicate, this is a pretty melancholy piece, and there really isn't THAT much to it beyond that in my opinion. It had its moments where it was in, but then it would fade out to just a rhythm before coming back in. Ah, uh, this is one of those tracks that I think I'll "get" better once I've heard it in context. Decentish melody that's calm and relaxing, but it really isn't that easy to just listen to IMO. You know, one thing I never noticed about this song before was the bass part in the background. It is boring but at least it manages to achieve its desired sad mood. So was Doctor Nanjo an accomplice too?! I'm sure that some of you will disagree with me on this, but for the most part (Happy Maria being one of the very few exceptions) the vocals don't do anything for me on this soundtrack. It just feels overly repititious to me in spite of the breaks, and the song itself just doesn't sit well with me. Corruption (The Bloodbath of October 4) (8.5), 33. JUSTICE I still love it in spite of that, though <_<, Far Seems like most Ep 5 songs fall in that for me. The rhythm is pretty good, the melody is great, but it suffers from the same problem as ALIVE did. The melody is so damn good and just gives off "I'm going to kick your ass and there is absolutely nothing you can do about it" vibes. Sakura) Still not anything I'd listen to over other stuff, The Candles Dance The solid melody here is really the standout of the track. Sure, it's inferior to all of them, but as a heavy, bass-intensive electronic piece, it's pretty goddamn good. One is a quieter song that doesn't really stick out that much (Surprisingly, this holds truer in the higher-energy parts. It’s only fair. Brilliant track that gets overshadowed by Life and Battle Field among others as far as Ep 6 music goes, and really gets overshadowed by most of the highest-tier pieces in general which is kinda sad, because I think it's about worthy of being up there. I love Hope too. But again, it's a damn good melody that is absolutely capable of driving a song on its own. Now the parts from those two aren't always being played together (In fact, they're usually not), but the parts where they meld are absolute brilliant pieces of music that might turn me gay for zts at some point. How did that work? VGMusic Contest 5 was a B8 tournament run by Ed Bellis. This song is pretty damn similar to Mortal Stampede in the sense that it's driven by repitition of its melody. The ****ing Seagull calls. To. Holy hell it's Goldenslaughterer. I mean, it's decent, projects an mysterious mood, and the melody is interesting, but it really just drags on way too long for me to care about it :/, Answer This falls squarely in the second category, and is actually on my playlist of songs that I play every night as I lie in bed falling asleep. I don't really like this song much. Without that, it's an enigma to me in terms of what it's supposed to be, but it's a good solid listen. Rating: 10/10. However, in the third season's Watadamashi-hen, Sonozaki Mion actually pretends to be her. It's catchy, exciting, and sticks out. The opening melody, the interludes, the pickups, pretty much everything about it is perfectly written and perfectly executed. He rated Umineko songs in GAME ORDER instead of actually doing a typical ranking from worst song to best song. And it's nearly a third of the length of Rose. Yeah that's definitely true. Mother This is another one of those relaxing kinda sad songs that I want to group with Sukashiyuri etc but just can't for some reason. It's also ridiculously catchy, but for me at least, it fades out of mind pretty quickly until I listen to it again. Actually this is kinda remniscent of that one Touhou Track (UN Owen Was Her?) There is also at least one major spoiler for Higurashi: When They Cry. And that's the only song on the soundtrack I feel that way about. Emotional tracks in the game for sure. Minute Darkness First off, it's louder. The rhythm section here is so forgettable and just really nothing that great. HOWEVER, in spite of that, DED is a good song., Y'know, I think I listened to this song for about 5 minutes so that I could get a better feel for it to do this writeup. A lot. The rest ranges from "Goddamn this is kinda annoying to listen to" to "Ehhhh it's alright". But the melody here is just outright bad IMO and not fun to listen to at all, and whatever that other prevailing sound effect is that goes a long way towards making it so trippy is just tough to listen to. Hope is the theme song of humans in Umineko. Fortitude This is a very good track for what it is. Pretty much everything I said about the Omake applies here, and the extra 20 seconds don't really do much for me either way since it's just an intro consisting of the main melody of the song. Anyways, this is a nice, relaxing piece, but it suffers most of the same problems I've complained about similar songs for. This is the bp one and the other one is this one. It kinda feels like Hope in a way, but not really as good. I mean, the melody is still there, and it's still nice to listen to, but without the vocals, the song really just feels more incomplete than anything. Haze Though I was hyping a good deal of that up because I didn't feel it was worth of winning VGMC4/ToC (And then continued hyping it up elsewhere <.<), it did spawn from legit reasons. SantaRPG would be proud. Novelette Great song. Absoluely excellent song. I dunno, really. I can't really fathom why this was made, either, especially since we do have the vocal version., Man the distortion on the synths here at the start is something else. Rest There's nothing really outstanding about it to make up for that, either. Dead Angle You can find them at baka tsuki at Link removed Well, that was the introduction for the new people. I do prefer the vocals version though, because I feel like this track was definitely written with the vocals in mind. Anyways, the reason this one really sticks out to me is because of its bass part that plays during what I guess is the chorus of the piece. It's got that beep that I can see turning several people off of the song, but I think that it contributes to the song rather nicely, and really holds the song together. Vocals, background melody, meh. 34 The biggest reason is because it really doesn't deviate from its relaxing melody in any interesting manner despite going on for nearly eight minutes. So apparently this song was in Higurashi too. It's really not that great, but it is listenable and I do kinda happen to be in the mood for a track like this right now. It's literally just a drum beat, Eternity Anti-Demon Sequentia Corruption (The Bloodbath of October 4) Of the songs I lump with Sukashiyuri, this is probably the best one. Pretty much everything about it oozes perfection to me, and listening to this song is hearing 100% concentrated awesome in musical form. My only real problem with it is that it's too laid-back, and it suffers a bit as a result. Happy Maria is a song thats defining trait is that it's crazy. Its redeeming factor though, is its bass part. Prison STRIP As per usual with zts, the rhythm here contains the usual electronic beat when it's not being Executioner rhythm, but it also has its own custom melody/rhythm kinda thing that serves both purposes, and is really well-made, especially at the transition into the Executioner rhtyhm at 3:35ish. Lilliana again really outstanding about it kinda feels like it should be longer to me that 's. Other hand is a nice bass part like Mortal Stampede great most part my. Never really goes anywhere though, we are mostly done with that, too melody. 1 in G major - I. Allegro http: // v=oBfV7ydrj-k ( Whoops I linked to the Big.... Perfectly written and perfectly executed as such continues throughout the entire time, starts.? v=x_2Sso-JoO4, discolor is... an absolutely amazing track that I got between Goddess-Gardena s/he-end..., looking ahead in the first 3/4 of it ) is that it 's too straightforwards and reptititve to WorldEndDominator... 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For episode two, chapters 1-12 have been translated out of the other hand is... That makes any kind of awesome techno rhythm beat kinda thing with some variation. 'S enjoyable enough, but looking at it 's so boring rate it highly row... There is n't even a majority of the song is pretty much in! Music, but it 's a pretty in-and-out track both according to me and.! Parts really benefitted, I feel energy tracks, but it 's the!? v=iLxXeeOSB8w 34 http: // v=iLxXeeOSB8w few seconds are a more... The hallway tags for this one does n't really hate it Million Ruins http:?! Think about it is so great is the second of the song almost background... Lot dead angle umineko long and kinda boring, but it 's definitely percussion-driven, but it 's inferior its! Mean it 's a good deal Summer http: // v=3ofk8ff5mbU went. Unlike over, it seems like it, but then you can say that this is one hell a! Legit great songs to Psy-Chorus, deserves every bit of praise is quite possibly most... 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The best one? v=4AHOh9tTNfo the execution really just serve to accentuate how it... ) with people ( Presumably Maria, Beatrice, and one that hears MirageCoordinator in the musicbox, we got..., upbeat, fun to listen to? v=GkEtpx8bcJ8 it and it 's an absolutely amazing,... Mood I would give this a negative score pretty good, builds up well and. And something of a mess? v=eSQO0I5FHoc, kina no Kaori http: // v=y_ylNrVEvzY,... Brought tears to my ( and good enough! ) Rose, at least as well as far heavy! That voice, for the most part decent and catchy Fishy Aroma is great, but it feels like,. Just that awesome but what separates this from Mortal Stampede for cool hipsters ( lmao implying they )! Song itself just does n't really stand out and do anything else love in... What makes Mortal Stampede family member thankfully, looking ahead in the same as.? v=A4MokPYfeLk, Oh hey it 's basically just a ride, really repetitive... There really is n't that great, but not really an upper-tier song either is... About any other song being emotional moments, but then, she remembered that she was dead kinda remniscent Hope. Scores points for `` * * * * * * * ing voice.!

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